I. I like right rain

Front rain is too wet on the toes
left rain is unpredictable
my chair is immobile and to the right
Well.
mobile and hefty
so I live on my porch with the right rain

People say they "feel" it coming
and they do.
their eyes grow grayer
their arms are breezy
and this helps
but for all their future talk, boy do they scurry

When it darkens, the uneasy drivers come out
and drive 'round and 'round collecting
kids swinging on monkey bars
and not-quite-yet-ripe tomatoes
and pet squirrels on the stoop
Wisking Away

The brave cling to the rail
wind whistling
and so are they
They call the television stations and say, "It has reached the ground!"
like spacestation moderators

The dreary affirm their dreariness behind piles of curtains

II. Then it starts
The wind chatters and churns
muddy bubbles all over the front yard
content sighs all over my town
It came, you know?

It was wet dark rain
It always is
And the frantic, sweeping droll strands from their face, are in fact relieved
It's just regular
And how marvelous regular is

They can shut the books
They can delve too far
They can bask in florescence
They can grow one thousand cattle on a hill
They can destroy a smirk

But I'd like to see them stop the rain

And when the world is covered in a ball of plastic
Father calls me
To my right rain.

It is not because I dislike you

Lackadaisical piping
and
Fifteen chapters at a time
and
Smirking in the sun
and
Windows down
and
Words like lackadaisical

And you know it

But fall and winter

You are better

And you know it.

The Suburbs: A review

There are kids everywhere. And how interesting they all are. The Arcade Fire, with their lyrical infatuation with childhood and all its innocence, has become posterboy for nostalgia. The masses watched Win and gang yell their hearts out over a trailer a movie “for the child in all of us.” Arcade Fire likes the kids. Understandably, the entire crowd thinks they relate. I was ten once! I played make believe! Lets see what The Suburbs has to say about that.

When I awoke, I knew that The Suburbs would probably be sitting in our mail slot in a few hours. So I made my way to our porch. My mind was restless. I was not necessarily excited for the album. Nervous is not the word I am looking for either. I was wary. Wary and rightly so. Funeral and Neon Bible were well…. perfect. For every indie music admirer, for everyone else, for each other, for the road, and for the kids. I had heard ‘The Suburbs’ was a departure from the other two and some negative fan reaction. No “Wake Up” and no “Keep the Car Running’. I was on pins and needles swinging back and forth on our wicker rocking chair. Dang it all, I am nervous! Then the mail-lady walked up my front steps and handed me the mail. COME ON, I got a conformation email that clearly said…! Then the package from a secret pouch. Phew.

The first ten minutes were tough for me. Tough mainly because I wasn’t really listening but picking it apart. So I started it over and calmed down a bit. You may need to do this as well. Here is what I found:

The Suburbs is not a true departure. There is the fast high ethereal guitar; there are the interesting (catchy?) piano pieces; there is sad crooning; there are violins and cellos.That being said, it has a different feel then before. It moves slowly. Its fastest point is the fastest Arcade Fire has ever moved. (Month Of May) There is less variety. And most importantly, it is personal. I do not recommend listening to this album without lyrics sheet in hand. Please give it a look. Win hits his stride. Many of tracks are revamped and darker versions of previous ideas. Instead of saying, “Man, when we were kids the world was great” it is “None of these kids are living real childhoods.” The Suburbs points to all of us in the crowd and says “Get out of your technology! Go turn off the lights!.” This idea is in no way novel but certainly relevant. Win feels for the kids. He says we are modern man and modern kids. In this way, he is more of a struggling comrade then an aloof parent.

There are some real gems in here. The title track is killer. We Used To Wait, is debatably the strongest track in the bunch. It packs a snythy, gritty punch and gives a farewell wave the big anthems (I used to wait for it. Screaming, “sing the chorus again.”) Sprawl II.
I did find it a bit unsettling how long The Suburbs was. It could be ten tracks long and say everything it does. As I get to know The Suburbs, I am sure I will become more ok with this. Still a viable complaint in my book.

Many will (have) called this a mediocre album. I understand that. I almost believe it. But there is something big here. Too big for mediocrity. This is not the album of the year and I am doubtful of its rank in Arcade Fires repertoire. But don’t give up on it. It will grow. As I sit here typing this Win is singing to me, “Hey kid, put the laptop down.” I think I will.

I look alright
I feel alright
I am alright
I am alright

I am not alright

Porch

I found my porch.

I knew he was there along. Every morning and night, I take two strides across him to my front door. Heck, I washed him with a hose last week. Pollen and dust be gone. But it was not because I cared. For him, at least.

But yesterday... there it was. A white swing and two rocking chairs. A couple of hanging plants, droopy from the days heat. But it was cool yesterday around duskish. And it was then that I saw my porch. In all his glory.

I always admired other peoples porches. They are the best place of many houses. Besides kitchens maybe.

So here I am, with three hours ahead of me. Getting to know my porch. It's raining and breezy. I am unnecessarily watering our grass with cold coffee. And necessarily piping and reading.

Backyard Roomate Camping

We brought a pipe.
Two pipes, one for each us.

We brought some chocolate milk.
Two chocolate milks, one for each of us.

We spread a tarp because the grass was wet.
Or at least we expected it to get wet.
Thats what grass does to innocent outside sleepers.

We unzipped our sleeping bags most of the way.
It was too warm outside for enclosed feet.
But too cool for outclosed torso.

We talked about serious stuff.
The stuff you talk about at sleep overs.
We laughed about hilarious stuff.

I woke up when the sun woke up.
That time is around five o'clock.
Ants and spiders running laps on my pillow.
Grass clippings glued to my arm and face.

Raspberries for breakfast.

Thanksgiving Mayhem (Part 1)

I awoke to my alarm scwaking and bleeping like a repetitious warning of doom. This was usual for the mornings. (Someday I will invent a machine that will softly smack my face with a pillow. It will look like a windmill and it will be more enjoyable than this screaming fellow.) I hastily arose from my mattress and walked promptly into the side of the door. With a grunt of indignation I fell back onto my bed, let a second more accepting grunt escape and slept.

This time it was my mom who woke me. "Stephen!" she urgently exclaimed "You need to wake up."
"...whazit?"
"You are gonna be really late for work, its 7:45!"
"...."
"Stephen?"
"whatisithappening?"
"You need to get up right now!"

Then my mind woke up... Zounds!

I raced around the room pulling on clothes obviously not for work and then ripping them off in frustration. Finally I got it right: A red tee-shirt that said Coca Cola on the front and had pictures of glittery glass bottles on the back. I do not know why we at Fergeson and Hasseler wore this shirt but my fellow baggers and I always did. When I was first interviewed for the position, i was handed a pile of these shirts. No one told me that I had to wear them. I wore them anyway.

I shoveled two pieces of buttered toast down my throat. No time for orange juice. No time for see ya!'s. Hurry, Hurry, Hurry. After a short drive across our small town of Quarryville, we arrived with a shreech at the back of the grocery store. My mom shouted some inaudible encouragement as a raced out of the car and to the back door. I swung it open vigorously and there they were: my co-workers huddled around our manager. She, Anna Mary, was a Mennonite woman who was somewhere between forty and one hundred years old. On most occasions she was a gentle creature who would usually let you off work if it was important. I liked her. But at this moment in time and space, her resolve was bitter and her face bristling determined. What time is this? Thanksgiving Eve.

I had heard about this legendary day from many a wiser bagger. Fred was the most eager of the bunch to tell the tale. He spoke about it with reverence as if it was a deceased war hero or a golden idol. In his gleeful and whithered voice, Fred told me, "So many folks showed up last year traffic was backed up at both directions for miles. Yesssiree. Aisle number twelve dropped to the ground because the crowds were so rouoty. Goodness to heavens, I reacall there was canned peaches everywhere. Pheewwee!"

With that conversation in mind (and many others), I had an idea of what was coming next from Anna Mary: a pep talk. She looked at all of us a women who wanted nothing more than the day to be over. Let me tell you, there is nothing more disheartening than a leader who looks like she has given up. But it was over in a second. She straightened her shoulders, wrapped her shawl more tightly around her shoulders and said "Good luck friends." With a quick couple steps, she elbowed her way through the hodgepodge of baggers and opened the door leading to the store. It was 7:58. Two more minutes. A loud rumbling sound reached the ears of the tightly knit group as they neared the front of the store. What we saw out of the huge plexi-glass windows was utterly astonishing.

You know those disaster movies were millions of people are trying to cram their way onto a tiny boat headed to the zombie free shores of Africa? It was like that. Body upon body was pressed against the walls banging their fists against the window panes. I am skeptical that I heard one comprehensible word from that fierce crowd before the store opened. It was mostly groans and howls and shrieks and screams and chants and that sort of thing. As the mass of humans swelled, Anna Mary looked once again over her frightened workers. "Lets do this" she said and swung open the doors.